Your “Pappy’s” History

Pappy is history. Literally and figuratively.

Figuratively, the time when the whiskey was equal to the hype is long gone. The search and endless discussion of the search for Pappy Van Winkle has become a bigger story then the actual whiskey itself. But for most people it’s still just a name. Rather than focus on the ephemeral qualities that may have lead to Pappy’s preeminent status let’s talk some cold hard historical facts that lead to where we are now.

Pappy Van Winkle is a line of Premium Bourbons that in recent years have become the hot ticket item with bottles going for thousands of dollars at auctions and on the secondary whiskey market. The label includes a 15, 20 and 23 year old Bourbon all called “Pappy” as well as several younger variations referred to as “Old Rip Van Winkle” as well as a 13 year old Rye. All of the Bourbons are currently known to be “wheated” Bourbon, meaning that their mashbill is composed of corn, wheat, and barley and as of 2010 all of the whiskey in the bottles has been distilled at the Buffalo Trace Distillery. That wasn’t always the case.

images-2.jpgJulian “Pappy” Van Winkle was a real man. He was involved in the whiskey business well before prohibition. He and his partner, Alex Farnsley purchased a controlling stake in W.L. Weller and Sons in 1908. At the time Weller and sons was strictly a bottler. They distilled nothing themselves but worked very closely with the Stitzel Distillery.

After Prohibition Pappy, ever the shrewd business man, managed to acquire the Stizel Distillery, merged the two operations into the Stizel-Weller Distillery and opened the new distillery on Derby Day in 1935. They begin production on many purchased pre-Prohibition brands including Cabin Still, Rebel Yell and most notably: Old Fitzgerald.

images.jpgPappy’s flagship brand was Old Fitzgerald. His biggest contribution to his namesake Bourbons is his “whisper of wheat.” Every brand that came out of Stizel-Weller was a “Wheated” Bourbon as opposed to the standard mash of corn, rye, and barley. To many this produces a rounder, softer bourbon with more dark fruit and cherry.

Pappy passed away in 1965 when all the cigars and Bourbon caught up to him at the far too young age of 90. His son, Julian Van Winkle, Jr. inherited the business but in 1972 he was forced by stockholders to sell the distillery and brands. He still maintained a bottling plant and resurrected yet another pre-Prohibition brand “OldRip Van Winkle.” No family relation. He continued producing the label sourcing whiskey from what had been the family distillery.

images-1.jpg
Flash forward to 1992, Julian Van Winkle III is now in charge of the family company and the Stizel-Weller Distillery is completely shuttered. The remaining brands and whiskey stocks are sold off (the flagship Old Fitzgerald fell into the hands of Heaven Hill) and Julian II continues to use old stock for new bottlings. Old Rip Van Winkle 15 year was released in 1989 but the first mention of “Pappy Van Winkle Bourbon” appears along with the first edition of the 20 year old in 1995.

However, many of these early bottlings are not Stizel-Weller whiskey. Julian II was back where Pappy had started, as a non-distilling producer. A bottler. He was sourcing whiskey and many of the initial offerings of the “Pappy” lineup, like the first edition of Pappy 23 in 1998 are actually high-rye Bourbon from the Barton Distillery.

But the Van Winkle’s never let facts get in the way of a good story and Pappy began getting rave reviews in the late 90s by picking up steam as the Bourbon revival does. In 2002 the Van Winkle’s partner with the Buffalo Trace Distillery and secure a continuous source for their brands.

In the end, the cold hard fact about why Pappy Van Winkle is considered the best Bourbon in the world is because people keep saying it is.

And In 2007 the New York Times puts the Pappy 20 at the top of their list of
premium and super-premium Bourbons leading the revival of the industry. By the time Anthony Bourdain tweets that he’s considering getting a “full pappy back tattoo” in 2011 Pappy-mania is swinging into fifth gear.

Now when most people ask how they can get a bottle of this coveted whiskey gold the answer is, you can’t. Yet people are still getting bottles, often at massive price hikes. So it’s not that you can’t get a bottle, it’s just that someone else is willing to pay more. To the Van Winkle and Buffalo Trace’s credit they haven’t seized upon the Pappy craze to drastically raise prices but the people they sell the bottles to have. Pappy Van Winkle not only helped fuel the Bourbon Revival but also the secondary Bourbon trading market where bottles are traded and sold, technically illegally, online. That’s a lot for one small whiskey to carry on its shoulders.

but_always_fine.jpgIn the end, the cold hard fact about why Pappy Van Winkle is considered the best Bourbon in the world is because people keep saying it is. And because people keep making money off of saying it is. Those who don’t learn from history are doomed to repeat it. Think about that the next time you see it listed on someone’s menu for $150+ a pour, and maybe find a bartender you trust to help you drink your next history lesson.

Booker’s: Lost In Imitation

Lost in Imitation.

There is an idea that new adaptations of old work, work that inspired countless imitators, will tend to resemble the imitators more than the original. Think of how the Frankenstein Monster has become a shambling, mute zombie thanks to the 1930s movies despite the original character being verbose, intelligent, and vicious.

Booker’s is an old school classic of the Bourbon world but it’s not an ancient brand. Named for and started by the legendary grandson of Jim Beam, Booker Noe, the brand started out as a gift from Booker to close friends in the late 80s. It proved to be such a hit that it was released to the public in 1992 and it hit all of the right buzz words: Cask Strength, Non-Chill Filtered, Small Batch, 6-8 year old, Straight Bourbon Whiskey.

Except that in 1992 none of these were buzzwords, because bourbon was not buzz worthy. It was barely drinkable in most people’s eyes so this undiluted, turbo-charged whiskey emerging onto the shelves with a $40+ price tag must have seemed like madness. But people fell in love with it. Each batch offered something familiar yet different, all variations on a theme. It didn’t hurt that Booker Noe was one of the first “Celebrity” Distillers. It was the force of his personality and vision that made the brand a success.

Fast forward twenty-five years later and Barrel Strength whiskey is the hot commodity. Booker, the brand and the distiller, was a trend setter. Any bartender or whiskey enthusiast that came of age in the past 20 years has had Booker’s. But in this world of seemingly endless new options most don’t keep a place on the back bar for it. The premiumization of whiskey has driven bartenders and collectors to the next hot commodity, or name, or special release.

Now the trailblazer is reimagining itself in the image of what came after. Starting in the New Year Booker’s Bourbon is going to be nearly doubling in retail price with the number of batches being released annually being reduced from six to four. That’s a massive and immediate shakeup for a long established brand. It’s also following in the path of its imitators by increasing price and reducing supply.

On the one hand, it’s easy to understand this thought process from the higher ups at Beam Suntory. They see younger brands, many of them simply sourced whiskey, going for double or triple the price of Booker’s and want to position themselves against that. There’s also the desire to differentiate their owns brands. Their Small Batch Bourbon Collection (Knob Creek, Basil Hayden, Baker’s and Booker’s) all sit comfortably next to each other in price so there’s no drive towards one brand or the other. All of that makes sound business sense but the cynical view is equally as easy to see. The Booker’s Rye sold out immediately at $300 and won more awards than the Booker’s line has seen in years so it’s hard to not feel like Beam Suntory isn’t just seeing dollar signs.

The real question ends up being, is Booker’s a $90-$100 bottle? If it sells at the price it sure is. The problem is that Booker’s ubiquity also makes it forgettable. Like most of the mainline Beam offerings there’s nothing that makes it stand out. Even from the other members of the Beam family. Jim Beam Whiskey always tastes like Jim Beam Whiskey, no matter what label name they slap on the bottle. And that’s a great positive or negative depending on your point of view. That’s what gave Booker’s its edge, the raw unadulterated flavor of Beam. The last batch of the year “Noe Hard Times” is Booker through and through. Huge oak, vanilla, a massive heat at 127.8 proof, a toasted nuttiness, and that unmistakable bready Jim Beam yeast. It’s a great Beam Bourbon but I’d be hard pressed to call it a $100 bottle.

But while I can, as this incredibly trying year of 2016 draws to a close, I’m going to raise a glass of the past to toast the future. An act that I seem to repeat with more regularity, because change it isn’t a comin’, change has done come.

A FEW Good (Rye) Barrels

Inertia can have its benefits. I’ve been running the bar at Areal for 4 years now which means that these days the bar is essentially an extension of my personal tastes over the years. It also means that I am spoiled. On average I get to taste 3-6 new spirits a week. Which honestly isn’t surprising considering there are over 1200 craft distilleries operating in the United States as of 2016. And everyone of them has a gin that they want to sell you and most of them are making a whiskey. You could stock an entire bar with the mediocre spirits being pumped out and consumed because of their “localness” or their “craft” appeal. Just because something is local and small, doesn’t mean that it’sfew21.jpg any good. Just like being big and global doesn’t necessarily negate your quality and attention to detail. Everyone wants to start a distillery these days and I’ve got one piece of advice for you: wait. The quality of product being produced right now can’t support the number of “craft” products being produced and in about five years there’s going to be a glut of distilling equipment available for pennies on the dollar.

So, in this world
of abundance what actually marks a good product? I hate to say it but it’s time. Increasingly what I see is that people who take the time, whether it’s in learning the craft before starting a distillery, letting something fully age in full size barrels, perfecting a recipe before rushing a product to the market, investing in the future like the team at Leopold Brothers, or if we’re being honest just starting out at the right time. Open your distillery today and you’ve already missed the boat. If you started up six or more years ago though you’re now sitting golden. Just ask the team at Tuthilltown Spirits with their Hudson whiskies. The pricing and quality they went to market with would never cut the mustard today.

Where does FEW sit in all of this? I’m going to say well over the hump of the bell curve. They’ve been in the game for years now so they’ve got that inherent leg up. And while they produce a wide range of products (including at least 5 gins to clutter your back bar) the product that brought them to my attention years ago, and that still seems to be the winner for most people is their Rye.

Few-Spirits-Labels.jpg            FEW has always had a delightful self awareness about the fact that they’re just making booze. The distillery name gives rise to a myriad of word play about having a FEW drinks, etc. But it’s also a nod to the distilleries home in Evanston, right out side of Chicago, which was a major staging ground for the Woman’s Christian Temperance Movement and the home of woman’s suffragist and prohibitionist France Elizabeth Willard. That playfulness carries over into their rye.

FEW encapsulates what I like to call the “New American Whiskey” flavor. These are young whiskies that have a lot of breadlines, a heavy oak presence and a fire to make any cowboy sit up and take notice. Most never find a balance to actually make them drinkable. There is a spice and a caraway to the FEW that has always helped tip it into drinkable fire for me though. They’re also the first distillery in four years to say, sure we’ll sell you a barrel of rye.

Rye, if you’ve been living under a rock, is currently the old school David Bowie of the American Whiskey world. And no one was making it. Nearly everyone who’s selling you a rye bought that rye from someone else. You’ll know they didn’t make it themselves if they can afford a national marketing campaign to support the brand. And the people who actually do make a rye have been hoarding it because demand far outstrips supply. But here we have the definition of new school distiller opening it’s vault with an unadulterated offering that is bright green apple, spice, caraway with a toasted breadlines and just a dash of almost crunchy peanut butter.

FEW, and this barrel, are far from perfect but they are to me an example of how to move forward. It’s time. It’s time placed in your product. Time placed in your methods. Time placed in the barrel. And time set aside to plan for more time in the future