Whiskey Wednesday: Shooting Turkey Rye in a Single Barrel

I don’t like to repeat myself, but the conversation about the Wild Turkey Kentucky Spirit Barrel a few weeks ago got me thinking. While I might not be a Wild Turkey Bourbon man at heart the rye has always tickled my fancy. I’d like to say that it’s simply because it’s damn good whiskey but that hasn’t always objectively been true.

I touched a bit on the history of Wild Turkey with the post of Kentucky Spirit (You can read about that here) but Wild Turkey’s history feels more tied with the pop culture of past decades that almost any other brand except Jack Daniel’s and Jim Beam.

Wild Turkedownload.jpgy as a brand was said to originate in the 1940’s when an Austin Nichols executive, Thomas McCarthy, brought some choice whiskey along on a wild turkey hunting trip in South Carolina. Enamored with the samples he brought his friends kept asking for more of “that wild turkey bourbon.” More likely it was a marketing approach to appeal to hunters and the rugged, rustic type but every whiskey loves a mythical origin story.

Turkey also appeals to me because it’s been the favored drink of self destructive writers for decades. Hunter S. Thompson was a known lover, Stephen King mentions it with distinction in a few books, and in his biography it’s listed as the drink of choice for perennial hipster literary icon David Foster Wallace.

Yet throughout all this pop culture iconography it’s always the bourbon they’re talking about. The rye always seems to be the unspoken younger sibling despite, at least from personal experience, it being the bartender favorite.

The Wild Turkey Rye is known as being a “barely legal” rye.  At 51% Rye/37% corn/12% barley it meets the bare minimum by law to be considered a rye whiskey. Yet, along with the brand Rittenhouse, it is a rye that kept rye alive in the decades when it was certainly not cool to drink. And it was certainly popular enough that when the 101 proof rye was dropped in 2012 there was enough of an outcry that it was reinstate a mere two years later. And now it might finally have its family champion.

Bruce Russell is the third generation of Turkey Russells and he is the current

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Like Grandfather, Like Grandson

driving force behind their rye, at least their high end stuff. While Jimmy Russell has always been unassuming and focused on the fact Wild Turkey makes two products, a Bourbon and a Rye, his son Eddie and grandson Bruce have championed the expansion of the range arguing differentiation through aging.

The idea that certain spots  in certain warehouses yield “honey” barrels is well established in Kentucky whiskey lore even if no one understands why that should be the case. But for Wild Turkey rye that took a new edge with the release of the Russell’s Reserve 6 Year rye and then even more focus with the Russell’s Reserve Single Barrel Rye.

While the single barrel carries no age statement it is clearly considered to be the upper echelon of the Turkey Family Rye. The 6-year was first introduced in 2007, the year after they raised the barrel entry proof from 105 to 115 and four years before the new distillery came online in 2011. This of course means there’s been a fair amount of flux in the production.

The rye itself is a fine example of Kentucky rye. It is all rich tobacco, which makes the old smoker in me shiver, a hint of dill, a full serving of citrus and a baked quality that ties in the darker spices and the heavy vanilla/caramel barrel notes. And it’s bottled at 104 proof which grants it the same oomph as its Wild Turkey 101 sibling.

The problem for me is twofold. 1) pricing and 2) transparency. The pricing hangup is easy for me to explain, I want quality at cost like it used to exist before the “Bourbon Boom” but that’s the old man in me yelling at the local teens to stay off my lawn: it ain’t going to happen. As for Number 2 there’s no denying that Jimmy, Eddie and now Bruce make good, and often great, whiskey but in an age where the consumer is more and more interested in the process of what ends up in their bottle the Russell’s Reserve Single Barrel Rye lacks any discerning features on the label. If a single barrel product is supposed to be different barrel to barrel I want to be able to compare barrels and bottlings, and nothing on the label gives me the ability to do that. There is no barrel number, warehouse ID, or even simply year or batch number. And these aren’t new requests. These are standard industry practices for single barrel and have been since single barrels were introduced in the 80s. Which brings me back around to the why of  why does the Wild Turkey Rye tickle my fancy so?

I think it has to do with placement. There is a wonderful sweet spot that the 101 Proof Wild Turkey Rye hits in flavor, cost, and history. While I can love the flavors and the drive to create more rye that the Russell’s Single barrel presents the balance between those things isn’t there for me yet.

But then again, aren’t we most critical of those we want the love the most?

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I mean if it’s good enough for Aragorn…

Whiskey Wednesday: Kentucky Spirit Soars Like A Wild Turkey

Let’s do something different, different for me at least, and talk Wild Turkey and about a single barrel not chosen by me.

Gathering together all of my Whiskey Wednesday posts, my personal whiskey collection, and the bottles I routinely stock at the bar a pretty glaring hole starts to emerge, and that hole is shaped like a damn Turkey. I couldn’t tell you why it’s there either. Wild Turkey seems like it should check all of the high proof, rough around the edges, old school bourbon boxes for me. And it’s made by Jimmy Russell! And yet it’s never close at hand for me. Let’s shake that up.

Wild Turkey was born as a Non-Distilling Producer in 1942. Austin Nichol’s & Co. were a New York based grocery wholesaler. They finally purchased the Ripy Brothers Distillery (then kimgres.jpgnown as the Boulevard Distillery) in 1971 and renamed it the Wild Turkey Distillery. This purchase made sense since the Ripy distillery was where most of the Wild Turkey Whiskey was coming from but it was terrible timing as “white goods” started gaining steam and the bourbon market tanked. The brand and distillery, were purchased by Pernod Ricard in 1980 and then sold to Gruppo Campari in 2009. But through out all of those changes Jimmy Russell has been there, making whiskey.

Jimmy’s career has lasted over 60 years; he started at
the Wild Turkey distillery well before it was the Wild Turkey distillery. In fact,

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Pictured: Jimmy Russell’s mad skills.

his tenure at wild Turkey began 10 years before the 1964 act of Congress that declared Bourbon to be a “distinctive spirit of the United States.” He was named Master Distiller in the late 60’s and is the last living Elder Statesman of Bourbon. He, along with Booker Noe and Elmer T. Lee, were the first generation of rock star distillers. These were distillers that were forcibly evicted from the seat in front of the stills to go travel and spread the good word of Bourbon. And even into his 80s he’s still traveling and distilling. And it’s a family business these days, his son Eddie is the new kid on the block with only 30+ years of distilling experience.

Jimmy Russell is essentially old school Bourbon personified. Yet he doesn’t take himself seriously and no matter who his employers are he makes no qualms about who he is or his opinions. For the past several years when doing tastings and traveling Jimmy would tell everyone at the tastings that he didn’t like low proof young whiskey, while pouring them Wild Turkey’s low proof young whiskies. Guess what Wild Turkey doesn’t mimgres-1.jpgake anymore? Seeing the Wild Turkey 101 Rye return with a vengeance was transcendent moment amidst all of these brands lowering proof and dropping age statements. Yet for all of my love of Jimmy, and his rye, when I drink the Bourbon it’s usually me trying to figure out why I don’t drink the Bourbon.

So naturally the first time Ryan Wainwright plopped this single Barrel of Wild Turkey Kentucky Spirit in front of me at Terrine (now The Ponte) my eyebrow rose skeptically. At 101 proof the Kentucky Spirit is essentially single barrel W

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Original Drop

ild Turkey 101 Bourbon- so I was expecting an incredibly earthy, slightly musty, hard oak. Instead, it turned out to be a spice bomb of a bourbon, with a dark baking spice, a dark, overripe cherry, with a farm house quality the I feel is coming from the Wild Turkey yeast. The oak and caramel in the barrel are supporting players rather than the main attraction and the proof sits right where it should granting all of the flavor with very little burn. I was genuinely surprised.

But I don’t think I should have been. This barrel taste’s like Jimmy’s bourbon philosophy, chosen by a bartender with a very specific palette. What this barrel says to me is that although Wild Turkey is quite frankly in a slump there is still liquid gold in its warehouses. There is experience, and skill, and craftsmanship that seem to be producing a sometimes muddled bourbon, but when the sun breaks through, damn, does it shine.

History Along the Knob Creek 2001

History is tricky. It’s written by the winners and often overly romanticized by the survivors as they remember the good and forget the bad in the harsh light of present difficulties. And when you throw alcohol into the mix things can get even murkier. Take the modern obsession with all things Pre-Prohibition. From the style of the bar, to the bartenders uniforms, to the whiskey being poured, at every step of the road the booze industry is proud to be returning things to their turn of the century glory.

Yet, despite the romance of Prohibition speakeasies and Pre-Prohibition style and quality, that “style” and “quality” was all over the map. The quality issue was first addressed with the Bottled In Bond Act of 1897, but even though the term “Bourbon” being used as early as the 1820’s, what made a whiskey a “Bourbon” wasn’t truly codified into law until the Bourbon Act of 1964. So what they hell does “Pre-Prohibition style” even mean? Unregulated? Undefined?

While this elusive style might not mean anything on its own it can serve as inspiration. And if anyone should have an idea of what Pre-Prohibition whiskey tasted like Booker Noe would have been the one. The grandson of Jim Beam and the Master distiller at his grandfather’s distillery since the 60’s, Booker’s pre-Prohibition inspired bourbon, Knob Creek, rolled out in 1992.

log-cabin-KC.gifNamed after the stream that ran along Abraham Lincoln’s childhood home in Kentucky, the bottle was modeled after turn of the century apothecary bottles with the label inspired by the tradition of wrapping bottles in newspaper at the distillery. Knob Creek was originally an age stated 9 Year Old bourbon bottled at 100 proof. The age statement has been dropped in the past few years but the brand still claims extra aging compared to the companies other small batch whiskies. So in this case pre-Prohibition style would seem to mean longer aged and higher proof, which is almost the exact opposite of what those early whiskies would have been.

Knob Creek was one of Booker’s babies. He continued to oversee the brand until he continued another family tradition and handed the title of Master Distiller and production of the brand over to his son Fred Noe in 2001. Which is how we ended up with the aptly named Knob Creek 2001 Limited Edition.

The Knob Creek 2001 was made from some of the last barrels ever laid down by Booker and then finished by Fred. It’s a passing of the torch in bottle form. And this excited the Bourbon nerds, understandably so. The other bottling to come out of the last of Booker’s barrels was last years Booker’s Rye, which turned a lot of heads and was named Jim Murray’s Whiskey of the Year. Those are some big shoes to fill.

images.jpgWhat set the Booker’s Rye apart was the age and a unique mashbill. The Knob Creek 2001 certainly has the age, at 14 years old it clocks in a good five years older than the old 9 year, but there’s no variation on the mashbill, simply different batches. This leaves a through line connecting it to the standard issue Knob Creek because no matter what batch you pick up all of these bottles are unmistakably Knob Creek: powerful, with pistachio, walnut, sweet oak and that unmistakable Jim Beam yeast.

As for the differences, Batch #1 dials up the vanilla, caramel, and maple leaving the middle of the palette sweeter with the barrel and age showing up again on the finish. Batch #3 goes the opposite way with massive, dry tannin, heavy oak, and extremely dry mouthfeel. Batch #2 walks the line between the other two rather well.

In the end this is just bigger, larger, and older Knob Creek. That’s not necessarily my cup of tea but as a changing of the guard it makes sense. Booker was a larger than life figure in the Bourbon world and his impact on the modern industry is arguable as big as his grandfather Jim’s. To me whiskey is bottled time, bottled history. And this bottle is a touch of liquid history. Only time will tell how big a piece of history it really is.

Open Bottle: Del Maguey Barril

Agave is an odd category to me. There is an abundance of good agave products pouring into Los Angeles but unlike whiskey, or even brandy and cognac, I often encounter what feels like an active, willful ignorance from people drinking tequila and mezcal, both in terms of education and general understanding of the spirits..

Requests for mezcal margaritas out number the requests spicy margaritas in my bar these days, but if a customer orders a tequila and I ask them if they’d like a blanco, reposado, or an anejo their eyes glaze over as if I was speaking a foreign language. I can’t imagine what would happen if they requested a mezcal and I asked them if they’d prefer a barril, madrecuiche or a tepezate. And this isn’t me being difficult for the sake of being difficult. These are the same types of questions I ask if someone requests a “whiskey” or a “scotch.” The proliferation, and premiumization, of agave has almost exacerbated the problem. People know that they want it even if they don’t know what “it” is.

If a customer orders a tequila and I ask them if they’d like a blanco, reposado, or an anejo their eyes glaze over as if I was speaking a foreign language.

This isn’t meant to ignore the inroads the category has made. I remember drinking mezcal out of a plastic jug that my collage roommate brought back from Texas and I can still feel that punch in the chest. With the category, and quality, growing so rapidly in the US and Mexico, greater education is needed.

And we wouldn’t be talking about mezcal at all if it weren’t for Del Maguey.

I know it’s hip to hate on the iconic green Del Maguey bottles these days. We’re always looking for what’s new and hip, and at 20 years old Del Maguey is the dinosaur of the mezcal world. But with out them we don’t even get a mezcal category in the U.S.- yet, to most “in-the-know” bartenders that I meet they’re just simply not a cool brand. I blame the Vida for this.

Everyone who’s had mezcal has had Vida. There were no other viable well options for a long time but let’s be honest, the Vida ain’t that great. I still enjoy it more than many other “mixing” mezcals , like say El Silencio, but both of them are stripping out something essential in the process. They may end up being more approachable but they also feel watered down and for the average consumer they end up associating that distinctive green bottle with that level quality.

That’s not to say Del Maguey doesn’t have an eye for quality. The Chichicapa is one of the best mezcals I’ve ever found for mixing and is an invaluable tool to open people’s eyes to the possibilities of what mezcal can taste like and the Santo Domingo Albarradas is to this day one of my favorite sipping mezcals.

But with 21 different products available, some named for the village of production and others for the species of agave they’re not necessarily helping simplify the category. I don’t blame them though. They are just incredibly excited about excellent mezcal and want to share everything they find with drinkers outside of its native village.

Take, for example, the Del Maguey Barril.

It’s part what’s known as the “Vino de Mezcal” series. It’s a term borrowed from the history of agave. Before there were rules on what made something a “Tequila” or a “mezcal” agave spirits were simply called “Vino de Mezcal.” If you’re wondering why they weren’t called “Vino de Tequila” it’s because technically Tequila is a type of mezcal. But that’s a conversation for another day.VinoDeMezcalSeries680.png

For the Del Maguey lineup “Vino de Mezcal” means limited. It’s mezcal that are very terrior driven but can only be produced in limited quantities. The Barril is a single varietal and literally means “barrel” which describes the size and shape of this particular agave varietal. The plants are all 15-20 years old, were fermented for thirty days and then were twice distilled on a clay still with bamboo tubing by Florencio “Don Lencho” Laureano Carlos Sarmiento, an 80 year old palenquero. A palenquero is a nifty word for “mezcal maker.”

It carries that clay minerality over into the liquid. It’s slightly salty, yet fragrant at the same time. There is a green vibrancy that is earthier rather than fruity while still remaining juicy. In the end, it’s a great example of what the world of mezcal can offer to drinkers of barrel aged spirits. It entices them in with some familiarity but then throws open the doors to what is beautiful about the differences.

How do I know all of this? Through tasting and having conversations with people who know more than me but also because the technical details are all right there on their website. You don’t get to be the granddaddy of your spirits category with out recognizing the education problem on your own.

I certainly don’t claim to be an agave expert. I’m just an enthusiast that is looking for a way to bridge that knowledge gap. I want to find a way to start a conversation that will keep mezcal from just becoming “smoky” tequila. And I’m open to suggestions.