Drinking Poetic: The Panic Order

I’m terrible at Vodka drinks. 

It sounds elitist, snobbish, and very hipster bartender of me but it’s a fact of life. I think the problem is twofold.  

1) Stylistically, I gravitate towards stirred, booze forward drinks that include some sort of odd characteristic. I go through phases: stirred citrus, clarified everything, fruit infused sherries, etc. I essentially want to turn everything into a stirred cocktail in a Nic and Nora 

2) I’m an elitist, snobbish, pseudo hipster bartender. 

 I’m often inspired by a base flavor and then continually layer, subtract, and accentuate characteristics until an equilibrium, or deliberate imbalance, is reached. Vodka by its very nature is designed to be clean, neutral, and mostly flavorless which doesn’t often provide that spark of flavor inspiration that sends me down the path. 

Alternatively, I’m also good at “concept cocktails.” These are drinks that start as a thought experiment with a definitive theme. Combine all of the above and you have the starting seeds of the Panic Order. 

We had a couple of factors (issues) to consider. We needed a new Vodka drink for the menu. Something that was lighter, refreshing, more spring and summer in style. We also needed something that was quick and efficient to execute. Labor costs are a real issue and when planning the current menu for NoMad LA we had to account for not only the efficiency of making the drink in the moment but also the amount of labor that could go into prep hours.  

We also had a surplus of these beautiful black highball glasses that were sourced when we first opened. They were for a drink that was cut from the opening menu and during a heavy events season my fellow Bar Manager, Dave Purcell, and I started to joke that we could solve our glassware shortage by putting all of our vodka sodas into these highballs and let everyone panic order them as they walked across the floor to alleviate service.

This got the gears turning. What would be vodka soda in style, more culinarily driven, and quintessentially L.A.? The answer was clearly Kombucha. 

I spent some time talking with the fermentation nerds that are our sous chefs and put together a kombucha base made from a blend of Assam black tea and Jasmine Pearl green tea. This base sits with the mother scobe for a week eating all those delicious sugars. After that week the fruit juices are added and it’s allowed to bottle ferment for another week. This is an incredibly versatile base that allows us to build out flavors in a lot of unique ways. 

Because I was thinking of labor costs and efficiency, I wanted to create a kombucha that had a lot of complexity that could ideally be kegged and turn this into a two-step drink: pour vodka and top with kombucha. I started with a base flavor that felt very spring and refreshing, honeydew melon. To add a complimentary complexity to this I added one of my favorite secret ingredients: bitter melon. 

Bitter Melon is actually a gourd that is used in a lot of eastern cooking and because of its intense bitterness is thought to have cancer fighting properties. This intense vegetal, green bitterness also plays incredibly well in cocktails, especially as a bitters for stirred citrusy drinks. In this case it helped balance the natural sweetness of the melon and ties in the tannins from the tea. To round everything out and add just a touch more acidity some fresh lime juice was also added to the mix. 

Kombucha modeling.

In my younger years this would have been where the drink stopped. It was fine, it fit the slot on the menu, wham bam let’s move along. But part of the process that I’ve grown to enjoy over the years is the collaboration and once this drink entered the R&D tasting with Dave, Leo Robitschek, and I it evolved dramatically.

After having worked with Leo for a year and a half what I’ve learned is that our minds work very different stylistically. I’ll often present a drink with an ingredient that he finds tantalizing, he then pulls it out of the drink, and then start building from the ground up again. In this case I was essentially presenting an ingredient masquerading as a full drink. To him the kombucha was fascinating as an ingredient but not as a drink on its own so we began breaking it down and started utilizing it like we would for a beer cocktail or other collins style drink with just a few ounces to finish the drink. 

We knew we had a vodka base so we started there. We then needed a touch of sweet to balance the whole concoction and this is the place that we were hung up on the longest. Basic syrups became too cloying, fruit liqueurs were overpowering the bitter melon, and the floral notes of St. Germain completely overtook the drink at even a half ounce. We eventually settled on Dolin Genepy which complimented the bitter undertones while adding a just a touch of sweet.

We now wanted to bump the vegetal notes so we added a cucumber to the tin for the shake, and lemon juice to compliment a traditional sour base. This made the drink distinctly more green but now the fruit notes were not as strong. We tried out a few drier fruit options and ended up with a quarter ounce of apricot brandy to round out the mouthfeel while also making the fruit shine. 

Throughout all these additions though the nice acidity of the kombucha was lost. To add that back in we turned to a few dashes each of two of the classic NoMad ingredients: yuzu and white balsamic. All it needed now was a garnish. I went back to the kitchen for some technical help and we started slicing honeydew melon in to wonderful ribbons that roll up and act as a melon flower growing out of the black highball. When the new menu went live the drink was at the top of the page on the right hand side so if you’re at the bar and don’t know what to get the Panic Order is ready and waiting for you. 

This, however, isn’t the end of the story. Things are constantly changing and evolving, one of the core tenants of the NoMad is “Constant Reinvention”, and this means constantly retasting drinks. On a recent whirl wind visit Leo was secretly ordering drinks for quality control. He loved the feel of the menu but felt that the Panic Order was too dry. We went though a mini R&D process again trying different basses ultimately ending up simply adding a teaspoon of agave. This makes the drink much rounder and balanced with a negligent increase in sweetness. Though as I sit here typing this I wonder what would have happened if we tried a half ounce of Green Chartreuse instead of the genepy… 

But, for now, our Panic Order is: 

1 cucumber slice
5 dashes of White Balsamic
5 Dashes of Yuzu
Tsp Agave
.25 oz Apricot Brandy 
.5 oz Dolin Genepy
.5 oz Fresh Lemon Juice
1 oz Absolut Elyx 

Combine all ingredients in a cocktail shaker. Whip Shake and double strain over Kold Draft ice in a black highball. 

Top with Bitter Melon-Honeydew Kombucha, garnish with a Honeydew Melon Ribbon, and Keep Calm.

Bitter Melon-Honeydew Kombucha Recipe 

15g Assam Tea 
15 g Jasmine Pearl Green Tea 
1650ml Hot Water 

Steep each tea individually for 5 minutes each for a total brew time of 10 minutes.
Add another 1500ml water and 300g of sugar.
Mix Until sugar is fully dissolved.
Let this sweet tea cool then add the mother scobe.
Cover the container in cheesecloth and store in a cool, dry place for one week.
After a week gently remove the scobe and store in a clean container with 200ml of the mother vinegar.

To the kombucha base add:

250ml honeydew melon juice
100ml bitter melon juice
50 ml fresh lime juice

Bottle ferment in a cool, dry place for an additional week. 

Hand made and hand presented.


Whiskey Wednesday: Elijah Craig: NoMad Edition

I sat down and did this almost exactly a year ago and it’s time again for the annual arrival of a privately selected Elijah Craig Barrel. This one, like all of them, is special because it is a 100% unique bottling but it’s also the culmination of an insane year.

Elijah Craig is the whiskey I’ve probably written about the most so I’ll skip the folklore and brand history, you can read about those here. Instead I want to get personal and talk about the time since the last barrel rolled into my hands.

I started buying single barrels of whiskey years ago.  Elijah Craig was the first barrel I bought and it lit a fever in me. It was pretty easy to track where I had been working using this as a metric. As time went on as the list of “House Single Barrels” would balloon seemingly overnight. Last year was full of first for me. This year has been about constant change.

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Training Tome

When the last barrel of Elijah Craig showed up to Faith & Flower I already new that in a few months I would be leaving it behind and traveling blocks away to the corner of 7th and Olive as one of the opening bar managers for NoMad Los Angeles. What I didn’t know was what that really meant.

I knew that I was joining a well-established,well-regarded, restaurant and bar team. I knew Leo Robitschek mostly by reputation and I knew the program; Pietro Collina, Nathan O’Neil and the rest of the team in NYC had built one of the most impressive bar programs not just in the country but the world. I knew it was going to be a lot of pressure and an immeasurable amount of work. What I didn’t know was how I fit into the equation.

My partner-in-bar Dave Purcell had already been a part of the team for months before I was brought on and given my crash course in everything NoMad. Three weeks after I started training I had pivoted learning to teaching. We were now training a barstaff that was 55 people large on an opening cocktail menu that was nearly 60+ drinks (not counting house specs on classic drinks) spread across four bars and not enough back bar space.

Every single member of that opening team was a goddamn rockstar and every member of our team, nearly a year later, is a member of that opening squad. It speaks to their professionalism and skill that they have risen above and beyond as the restaurant has constantly changed around them. Constant Reinvention is one of our guiding principles after all.

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A lot of late night exits.

Our Head Bartenders, who moved across the country from to be a part of this project, are some of the hardest working, most dedicated hospitality professionals I have ever met and I couldn’t imagine a better crew to get this beast off the ground with.

But even after opening I still didn’t know where I fit in. I wasn’t behind the bar and the Head Bartenders embodied the program and the culture so much more deeply than I felt that I did. They had simply been living with it for longer then I had. As far as I could tell I was here to herd a pack of wild bartenders and to help make the NoMad more LA. The first inkling of what that might actually mean happened when the team at Heaven Hill approached me about buying another barrel this year.

I immediately leapt at the idea and pitched it to Dave and Leo. After some debate, and extended tasting sessions, we settled on this bottle that now sits before me. An Eight Year Old Elijah Craig Single Barrel aged on the 6th Floor of Rickhouse “S” outside the Heaven Hill bottling plant in Bardstown, KY.

It has a heavy caramel nose and an upfront sweetness yet also a delightful earthiness and tannic finish that allows it to be sipped on it’s own but also to be built into cocktails which are surely the lifeblood of any NoMad bar.

Elijah Craig has been an integral part of the history of NoMad. The only drink to have never left the menu at NoMad is the Start Me Up, a Whiskey Sour variation with ginger, honey, Strega, rum and of course Elijah Craig. Using this barrel really drives home those whiskey notes in this drink. Here was something that I could contribute to the NoMad lexicon that was still wholly the NoMad and also intrinsically me.

This year also had it’s fair amount of travel, back to Pennsylvania for my Grandmother’s 90th birthday, a trip to the Cook Island’s (look it up it’s a real place) and a chance to return to France with my always more intelligent than me girlfriend.

There were less competitions, opening four bars in less than three months eats up a lot of free time, but I now have a rotovap as part of my tool set and know more about working with sherry than I could have ever imagined. As I sit here sipping this whiskey I am incredibly proud to see the NoMad symbol on its label.

Last year I declared I hate change and this year I find myself wondering if the new norm is constant change. I don’t have an answer to the question but I do look forward to what next year’s barrel of Elijah Craig brings.

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NoMad Los Angeles