Drinking Poetic (On A Christmas Wednesday): The Nutcracker

I’ve always felt disconnected from the Holiday season. While I grew up Catholic it has had been many a solstice since I identified as such. I’ve also spent the past 10+ years living 2,500+ miles from the family and friends I grew up with. As such when the holidays roll around I often find myself latching on to the traditions and celebrations of my friends. Which is why the one tradition that I do have from my childhood is so fascinating to me. 

When I was about 5 my grandfather gave me a nutcracker for Christmas. My siblings were so jealous that the next year he gave all four of us our own nutcrackers. It was a few more years, and arguments about which nutcracker belong to who, before we started putting our names on this ever-expanding collection. So while they ostensibly belonged to someone they were really just collectively ours. When my grandfather passed away my grandmother took up the tradition and it took on new meaning.  If you enter my family’s house at Christmas a veritable army of wooden soldiers, drummers, cobblers, and pirates stand ready to perform their ceremonial duty. 

Like all terrifying dolls the nutcrackers eventually escaped their Christmassy confines and spilled over into the rest of life. Currently sitting on my desk in the 70 degree California sunshine is a board short wearing, hipster beard sporting, surfer bro nutcracker that marked my first full year on the West Coast. It’s a touchstone that exists beyond its original conception. 

It also led to the creation of the Nutcracker Cocktail. 

The Nutcracker was originally conceived as a drink for the Heaven Hill Bartender of the Year competition a few years ago. I drew on all of the above thoughts about tradition and threw them into a glass. I wanted a drink that was very evocative of a time and place but that also existed outside of its “seasonality” just like the Nutcracker resting on my desk. 

I knew I wanted the drink to be based around Elijah Craig Bourbon. Not simply because it was one of the options for the competition but because it is an actual touchstone whiskey for me. The very first private barrel of whiskey I ever picked out was a barrel of Elijah Craig. It’s a whiskey that’s been my companion through my journeys behind bar since the very beginning. It carries a weight, a depth, a tannin, and an earthiness that makes it a classic backbone for a whiskey focused drink. 

Next, I wanted a solid bitter base to enhance the earthiness while also adding in an extra dry component to balance the sweet components I knew would inevitably make their way into the glass. The Clemanti China provided a suitable Manhattan-esque build while adding in a beautiful shock of the bitter. 

Next were the seasonal elements. You can’t call a drink “The Nutcracker” without any nuts so a touch of Nux Alpina Walnut Liqueur added in a discernable nuttiness to play off the base of the Elijah Craig. This Made the drink Nutty but still dry, too dry. To balance this a hint of Tempus Fugit Crème de Cacao added in both the Christmas sweetness and memories as well as a balance for the dry, dry, dry components. 

To tie it all together, and to add a hint of fruit to brighten up all of these dark nutty elements, a few finishing dashes of angostura orange bitters went into the mix. 

Now, this drink was fine. However, it didn’t evoke anything larger than itself to me. It was a wintery sipper that was Mostly just a slightly esoteric Manhattan. It needed something to pull it out of its time and place.  

I briefly considered making it a warm drink but that would have turned it into a drink that I had no interest in drinking. I almost universally hate hot beverages, from coffee to tea and everything in between. So, instead I turned to other childhood memories as well as my local Japanese grocery store. In both of those places I found chestnuts. 

Growing up there were several horse chestnut trees in my yard which when the chestnuts would fall I would end up chucking at my siblings as children do. And in the Japanese market there were wonderfully proportioned bags of roasted, soft chestnuts for the holidays. This was the missing factor for this drink. 

I pulled out the Spinzall and infused the chestnuts into the Elijah Craig, stirred everything together and expressed an orange zest over the drink tying in the underlying orange bitters. Now the drink sang. It was complex, fruity, dry with an intriguing sweetness, and was no longer simply a “Christmas Drink.” 

The Nutcracker:

1.5 oz Chestnut Infused Elijah Craig Bourbon
.5 oz Clemanti China Antique
.25 oz Hau Alperine Nux Walnut
.25 oz Tempus Fugit Crème de Cacao
2 Dash Angostura Orange Bitters

Combine all ingredients in a mixing glass.
Stir with Kold Draft Ice.
Strain into a punch glass.
Garnish with an orange twist studded with clove. 

Revisiting this drink years later there are a few changes I would make. I might add a splash of Verjus to add in more acidity to the heavy nature of the ingredients. Or I might add in a touch of Oloroso Sherry to length the drink while staying rich and stirred. 

But then again, some traditions shouldn’t be over thought. 

Drinking Poetic: Cascading Lines

This is the story of a drink that got away from me. 

As I’ve said before I tend to turn every drink into a brown, bitter, and stirred variation on a theme. It should therefore come as no surprise that I’ve been trying to play around with some version of a hopped Old Fashioned style drink for at least a few years. Long enough that the idea of using hops in a drink now seems cliché. 

The first iteration that almost made a menu was while I was the Bar Manager at Faith & Flower. Dubbed the “Whiskey Icarus” this drink combined a hopped honey, Bernheim wheat whiskey, and Riesling.

I remember the drink being refreshing and surprisingly crisp. With the memory of the drink in my head I brought it into the initial R&D sessions at NoMad. However, I was never able to recreate that remembered flavor. I’m not sure if it was the specific Riesling that was being used, a change in the hops, or a change in production method. This inability to replicate is a prime example of why you should keep detailed notes, especially with liquid R&D. 

I couldn’t put the idea down and when I was putting together the One Year Anniversary Menu for NoMad LA I dragged the drink back into the conversation.

It was a Frankensteined drink from the start. The original thread lost and reassembled using existing NoMad syrups and ingredients. I made a homemade apricot and barley tea bitters (which are still one of my favorite ingredients I’ve ever made) Verjus replace the wine, Lapsang Cacao instead of hops, and tried split base after split base. While the initial variations were some of the least liked ideas for the menu there was something about the drink that kept tugging at us. It was intriguing enough that we wanted to figure it out. 

The first think that needed to happen was stripping the drink back down to basics. What was the central premise of the drink? A hopped, old fashioned style drink reminiscent of mead.  

Once the basic concept was nailed down we started picking out the elements of the numerous variations that we had liked. 

The addition of the chocolate from the infused cacao was so nice that we decided to keep it and made a Cascade Hop infused cacao to replace the smoky Lapsang tea. 

The bitter, grapefruit notes from the hopes were now overwhelming the subtle stone fruit of the Apricot and Barley Tea Bitters, however the barley helped to reinforce the hop component so the bitters were replaced with a teaspoon of barley tea syrup and to get a touch of that fruit aspect back a quarter ounce of Grand Marnier was added. 

Next it was time to address the split base. Out of all of the combinations a split between bourbon and aged genever complimented the original base the best. We swapped bourbon after bourbon looking for something luxurious. The genever was the Boomsa Oude which was rich and malty but light on the barrel and the best bourbon pairing that wasn’t a limited release was the Henry McKenna Bottled in Bond. This was before its gold medal win so we stocked up once it started clearing out. 

Because of the split base it didn’t have as heavy of an oak presence and a teaspoon of vanilla was added to compensate. 

And then because it’s the NoMad we added aquavit and sprinkled a pinch of fluer de sel on top. 

At this point no one was leading the ship and the palate fatigue was strong but this was the most balanced of the new version. You could tell we weren’t quite satisfied with the drink but it made the menu. Renamed the “Cascading Lines” as play on the Cascade hops and the conflux over different threads that had to come together for this drink. 

As the drink rolled across the floor in the first week changes and tweaks were inevitable.  As we tasted it with fresh palates it quickly became clear that the Grand Marnier was completely unnecessary. The final change happened completely by accident. 

As a standard we use White Crème de Cacao. However, during our opening there was a delivery issue and we ended up with a case of Dark Crème de Cacao. After sitting on it for nearly 1.5 years this infusion seemed a perfect opportunity to clear some inventory space. What seemed like a nothing change actually lent a deeper note to the drink that actually let the hops shine in a more balanced way. 

The lesson I took away here was the importance of a directed focus and idea during the R&D process. This ended up being the best version of the Cascading Lines but is it the best version of this idea? I’m still hoping to see the Whiskey Icarus on a menu one day. 

Cascading Lines :
Tsp Vanilla Syrup (50 Brix)
.25 oz Barley Tea Syrup (50 Brix)
.25 oz Cascade hopped Dark Cacao
.5 oz Henry McKenna Bottled In Bond Bourbon
1 oz O.P. Anderson Aquavit
1 oz Boomsma Oude Genever

Combine all ingredients in a mixing glass.
Short stir with 1×1 ice cubes.
Strain over a large 2×2 ice cube in a large rocks glass and garnish with a pinch of fluer de sel. 

Hopped Cacao:
15g Cascade hop pellets
1 liter dark crème de cacao
Vacuum seal.
Let set for 25 minutes.Pass through a chinois and store in a clean glass bottle under refrigeration for up to two (2) weeks.